GAYA BAHASA (STYLE) DALAM BUKU DONGENG KLASIK 5 BENUA KARYA ASTRI DAMAYANTI
Abstract
The specificity of language in fairy tales were characterized by an unusual choice of words when viewed from the practical language. The form of election irregularity words or diction, sentence structure, and style of the language. Based on the above background, the purpose of this study was to describe (1) the use of diction, (2) the structure of the sentence, and (3) the dominant language styles are used in the bookof5 Benua Classic FablebyDamayanti. The method used in this study is a descriptive qualitative method. This research resulted in, (1) the use of diction include: (a) the common word, (b) the special word, (c) the meaning of denotation, and (d) the connotations. (2) The use of sentence structure includes: (a)thesingle sentence, (b) thecompound sentence, (c)theactive sentence, and (d) the passive voice. (3) The use of language dominant force include: (a) stylistic comparisons include: personification, anticipation or prolepsis, and aleogori manifold fable; (B) the language style of contention include: hyperbole, climax and anticlimax; (C) the language style of engagement include: antonomasia and epithets; and (d) the language style looping include: anaphora and epistrofa.
Downloads
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with PENTAS agree to the following terms:
Authors retain copyright and grant the Engagement right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material) the work for any purpose, even commercially with an acknowledgement of the work's authorship and initial publication in PENTAS .
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in PENTAS .
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
